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Epistemologies of Torture: Limits, Bodies, Black Sites
The 5th Annual CLTC Graduate Student Conference
University of California, Santa Barbara
April 6th, 2007, Centennial House
Submission Details

Home | Call for Papers | Keynote Address | Staged Reading

Conference Schedule

Thursday, April 5, 2007

4:00 - 6:00 PM - Panel on Latin American Drama (New Theater and Dance Building, Room 2517)

6:00 - 7:30 PM - Staged Reading: Griselda Gambaro, "Information for Foreigners" (Humanities and Social Science Building 1143)

Friday, April 6, 2007

8:30 - 9:00 - Coffee and Pastries

9:00 -10:30 - Torture and Representation

Mac Oliver, "A Reckoning in a Little Room: Literary Spooks" (English)

Allison Schifani, "Performing Torture: The Record and the Voice in Ariel Dorfman's Death and the Maiden" (Comparative Literature)

Chris Lee, "Torture and Technology" (Comparative Literature)

Moderated by Karen Bishop (Comparative Literature)

10:30 -10:45 - Break

10:45-12:15 - Torture and Political Engagement

S. Jovian Radheshwar, "Torture, War Strategy and Democratic Societies in the era of Hegemonic Politics and Global Intervention" (Political Science)

Timothy O. Linehan, "The Right Not to Be Tortured as an Absolute Human Right: Two Opposing Views From Distinct Spheres of Inquiry" (Philosophy)

Ly Chong Thong Jalao, "Torture and Colonial Liberation in Laos: Hmong Refugees and the Fiction of Truth" (English)

Moderated by Eric Martinsen (English)

12:15 - 1:45 - Lunch Break

1:45 - 3:15 - Torture and Spectacle

Hank Willenbrink, "Torturing Simulation in American Hell House" (Dramatic Arts)

Stefka Hristova, "Consumption in Martha Rosler's photomontage Election (Lynndie)" (Visual Studies, UC Irvine)

Eric L. Martinsen, "Reading Torture and Tortured Readings in Barthelme’s “Indian Uprising” and Hagedorn's Dogeaters" (English)

Moderated by Mac Test (English)

3:30 - 4:45 - Keynote Speakers: Alicia Partnoy and Gail Wronsky

4:45 - 5:45 - Reception

This event is a part of the Critical Issues in America series:
Torture and the Future

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